Title: Sex Bullets Studio: Hustler (H2) Director: Francesco Fanelli Cast: Alessia, Dora Venter, Francesco Malcom, Franco Tretalance, Gabriel Montoya, Jennifer Dark, Jessica May, Lucy Lee, Miro Da Nola, Romana. Genres:: Anal, Cumshots, European, Uncircumcised Condoms: No One-line summary: Skip the plot and go right for the ass. Reviewer: SexHerald Staff

Rating:

Intense anal play may be a feature of European or Italian porn. Perhaps it is a side effect of making films in a society with a significant been there, done that attitude towards sexuality. Maybe I've just been drawing the wrong films. In any case, Sex Bullets is another Italian import from H2 featuring good-looking women, lousy dubbing, and lots of anal.

Anal in this film is what the missionary position would be to most other films. It's the default setting, the main thrust (pardon the pun) of each scene. Each scene progresses relentlessly towards anal, usually ending up in the female superior position, but occasionally in the more traditional doggie style or other arrangements. If you don't like anal, you will not enjoy more than half of any given sex scene. Even if you do like anal, you may not like that they switch back and forth between front and back without so much as a moist towelette to wipe down the cock/dildo to prevent a staph infection. All orifices used look cleaner than an operating room, but this is still playing with fire...or at least, bacteria.

Besides ass love, there is some nicely done vaginal fucking in at least ten different positions, though you wouldn't know it from watching the film casually. The majority of the vaginal sex is done in the same position as the anal sex, only in the forward hole. While the position itself is unremarkable, woman sits on man and faces away from him, the director has some sort of obsession with it. Since you can't actually see the man and often aren't shown more than the torso of the woman, the sex scenes are often totally interchangeable using a formula that doesn't really work.

There is also a healthy amount of cunnilingus bestowed upon the totally and mostly bare pussies of the female leads, performed well by men and women who look like they're enjoying it for a change. On the other hand, as I've noted in other pieces, the women in this film cannot give head. None of them know how to give a blowjob without looking like a vacuum cleaner hose or poking the guy's penis like a slightly unpalatable popsicle, ending the scene with a facial each time.

In spite of their lackluster fellating, the girls are the real reason to watch this film. Nonspecific Asian (film says Chinese, but she looks Thai) Alessia, pink eyeshadow notwithstanding, is limber, willing, and gorgeous, whether she's being bounced mercilessly up the ass by the male lead or spread deliciously on a black shag rug for full frontal action. Close on her well-shod heels are Romana and Jennifer Dark, who participate in a glorious threesome with Franco Trantalance, a scene that is wonderful if you ignore Ms. Dark's hideous facial expressions. Someone told her to make facial expressions but didn't specify which ones, so she looks angry or in excruciating pain every time someone lays a hand on her. We see far too little of Dora Venter, which is a shame since she's beautiful but great since her voice actress is terrible.

A perennial failing of straight porn is the lack of good-looking men. Sex Bullets partially delivers with at a handsome, neatly trimmed young stud who goes about his business with great zeal and prowess. The other two, a young man and an older man in a mullet, need to embrace their Mediterranean heritage, realize they're hairy as chimps, and shave their thighs and pubic hair. Watching the director's favorite shot is grotesque with all that leg hair waving about against the girls' shorn genitalia.

The film's strength is in its camera work. Utilization of reflective surfaces and finding unique angles enhance the view while minimizing the often formulaic procession of the sex acts. The shooting and sets are high quality, even if they're not remarkably creative. The music, silly Italian folk songs, cuts in and out randomly; you'll be happier when it is off so you can concentrate on the natural moaning and enjoyment of the girls.

Though deemed a full length feature film, the mafiosa plot is disjointed, cursory, and laughable, an obvious afterthought to the porn itself. The directors should spend less time worrying about how to get from scene to scene, stop paying for substandard English voice actors, and concentrate on the real purpose of the film: watching beautiful woman get fucked in the ass.