Reviewed by SexHerald Staff
“I don’t like it when I think it’s boring,” says Rocco Siffredi during the extra footage section of Lady and Her Tramps. I suppose this makes him not such a weird guy—just a very weird pornographer. Rocco’s approach to making porn is to film exactly what turns him on and show it to people. If you like it, the implication seems to be, it’s just a fortunate coincidence.
Which makes Lady a more or less typical Siffredi experience but a fairly atypical porno. There are only three scenes. They all have at least three people, and the first two are fairly standard, and fairly hot. The last, longest one, well, not so much. (Unless you think Karen from accounts receivable demanding time out to douche is sexy. But more on that later.) Much of the buildup could be classified as “post-gonzo”: Rocco and his supporting cast play themselves acting out a scenario that involve people making a porn flick.
Two young women (Rocco seems rarely to use the same starlets twice. Either that or they all look the same: thin, flat-chested, magazine-model pretty) are enjoying themselves sightseeing in a European square in a city that might be Prague or Budapest. One of Rocco’s minions, a Rocco lookalike with a camera, is dispatched to find them. The Lady needs them back at HQ, ASAP. We don’t find out exactly why, but it’s a fair guess that they have to come back so the fucking can begin. And it does. Jazz Duro has his way with the lithe blonde first, eating her out and then splaying her out on a table. Her long, bestockinged legs look great here, and although the sex is rhythmic and passionate, the scene is a little boring.
That is, until the black dude with the tats shows up. He likes his sex a little rough, and the blonde is willing to comply. There’s some throat fucking and drooling, and seeing her pretty face stretch to accommodate the guys’ members is quite a turn-on. Did I mention the brunette who showed up a few minutes into an already action-packed scene? Rocco’s has a nice way of keeping things interesting.
You may not be surprised to learn that after that scene, the threadbare plot is summarily dismissed. We cut quickly to Rocco and a milky, pretty young brunette in a kitchen. Rocco’s filming this scene with help from some sort of micro camera that he uses to inspect the nooks and crannies of his co-star and—what is always the star of the show—his own dick. Rocco and the girl peel open the prodigious girth of the head of his penis; she inserts her pierced tongue. And it’s all captured using this snaky camera. Like I said, definitely not for everyone. Another willowy brunette shows up, and a rather paint-by-numbers three-way ensues.
Things then go from bland to nearly unwatchable. The next scene starts off promising, with Rocco interviewing a very shy, plain young woman named Melinda Pozzi. Melinda is definitely not porn star material, but I was starting to feel the pro-am vibe, until Rocco unleashes three hyper euro dudes intent on ravishing her. They toss her around like a rag doll, gag her with their dicks, spit on her—and finally she stops them. Rocco then tries to convince the Lady to join in—a middle-aged blonde woman who is about 15-20 years past her prime, the aforementioned Karen from accounts receivable—but she would rather douche first.
Don’t worry, if this doesn’t sound like your cup of pornographic tea, it doesn’t mean you’re hung-up or stodgy. Rocco’s stuff is not for everyone, but I’m not sure who this is for. Rocco'sTheLadyandHerTramps
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