Reviewed by SexHerald Staff
Steven Scarborough loves ass. His camera cherishes the twin mounds of muscle, the curve of the lower back and most importantly, the twitching sweaty hole.
“Mo’ Bubble Butt” celebrates male ass, even to the most outrageous limits. The title of this release is an oddity; why he chose to name the film as he did and not simply “More Bubble Butt” is strange. I suppose Scarborough is nodding to ghetto culture; nothing appears in the film to justify that nod.
The film opens with Paul Johnson and Collin O’Neal being serviced by Alex Collack. Collack’s body and pale skin are beautiful to look at; his abs flex strongly as he gets head from Johnson. Holeplay and rimming shortly follow. If you’re like me, you’re likely to blow your load in the first few minutes of watching Paul Johnson’s perfect ass get tongued and tasted. Ever hear of the face that launched a thousand ships? Johnson’s beautiful backside should inspire such legend. These first few moments are the absolute best of the entire film.
The three bend and stoop to service each others’ pricks and holes; Johnson eventually gets taken from behind by O’Neal while he samples Collack. Here, the action takes a turn. Collack’s nasty hole (and here, I truly mean nasty) is stretched and used by some very large rubber before the three men finish off. If toys are your thing, what Scarborough has captured here is sure to please.
Next up, Vin Nolan takes a crack at Alex Collack. The action here is extreme; Collack services himself in a way that my mind is still trying to grasp. After getting some head, Nolan pounds Collack’s sloppy rear. I kept wondering how Collack’s asshole has any tension left after witnessing the abuse he subjects it to, but it doesn’t stop Scarborough from wanting to capture this oddity on film and share it with the viewer. After more extreme play, Nolan rims that hole then fucks it again until both unload. This scene puts the “F” in “Fetish.”
Dick Wolf is trapped in a cage but seems perfectly content to sniff, lick and pleasure himself with a dildo while he waits for someone to release him. Scarborough again pairs Wolf with Jacob Scott for this scene, but unlike their pairing in “Skuff 2” (see review), Wolf gets vocal. Trapped and secured by Scott in some very Puritan-looking locks and stocks, Wolf’s butt is pumped full of lube. You won’t hear Wolf protesting though. The verbal play between the two scorches and the dominate and submissive roles are played expertly here. More toys come out of the toybox before the men switch off, Wolf topping Scott. The switch is a nice surprise.
In the last scene, Drew Peters seems oddly bored as he squats in the middle of a sex club-type setting, deeply plunging his guts with a red conical rubber toy. Steve Richards stumbles on Peters (as folks so often do in sex clubs) and accepts some dick lickin’ from Peters. Peters doesn’t bother to stop squatting and bouncing up and down on his toy; Richards certainly doesn’t seem to mind. Richards and Peters are a welcome “older/younger” coupling; Peters face expresses quite well his willingness to be instructed and used. Vin Nolan wanders by and joins the duo, helping Richards plunge still more objects into Peters. Eventually, they tag team him – one fucks while the other gets head, then they switch. It’s worth noting Richards pretty cock and bush – Scarborough’s lighting and camerawork are expert here. Drew blows his load on Nolan’s boot and cleans up his own mess.
“Mo’ Bubble Butt” is certainly worth a look and you’ll want it for your permanent collection if you enjoy toys and ass play that crosses over a few lines. Paul Johnson alone is worth the price of admission and should get higher billing than he receives. I don’t doubt that we’ll see more of him. Mo'BubbleButt
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