Reviewed by Don Luis
Afrocentric films, as I’ve said in other reviews, come with certain stigmas attached. I expect to see certain things when I throw one in the player. Likewise when I see Adam and Eve attached to a film, I expect a certain caliber of film that is slightly higher than average gonzo fare. Black Cravings does excellent on both counts
Dee and Tyler Knight: Set in an airy loft space against backdrops of Joan Miró style bold squares of solid color suspended from the ceiling, Dee is the dazzingly exotic younger version of what you imagined Mrs. Huxtable looked like in her wild college days. Both performers are bathed in wisps of clouds from an unseen smoke machine, they range and roll about the solitary bed in the middle of the space as Dee alternately exclaims in Spanish and wraps her lips around him between positions. Tyler, as if narrating the scene, looks directly into the camera and asks the viewing audience at key points: “would you like to see this beautiful girl bounce up and down on me?” or each of a variety of sex acts, which didn’t work for me during the viewing, though, now that I think about it, is kinda hot.
Shakespear and Julian St. Jox: This scene is more like David and Goliath than most I’ve scene in any of the black-themed films I’ve reviewed. She’s diminutive, almost dangerously so, and one would be prone to preoccupation for her safety had she not deliciously well-formed curves surrounding her tiny, taut frame. Don’t let her stature fool you, though; she is every bit the expert smoothly riding Julian’s jock to a photo finish until he covers her hind quarters with the product of his exertions.
Marie Luv and Sean Michaels: Sean Michaels takes a break from his busy directorial schedule to make a guest appearance here with Marie Luv. They’re housed in a very classical style bedroom, enormous captain’s bed, complete with mirrors across the entire ceiling. After plying her steadily with his linguistic technique, Sean spins her around so she is straight under his prize winning stallion, and she lays her head back over the edge to swallow him whole. He enters those hallowed gates, and it’s clear that for one unaccustomed to such girth, this is a horse of a different color. She champions the day, however, the doggie style of war triumphing over her rival, and he offers his incense on the bosom of his paramour.
India, Xtacee and Santino Lee: India shares a startling resemblance to the earlier mentioned Shakespear with whom we were so in love. Xtacee looks like she belongs in either Torque or Biker Boys, racing stripe tattoo of Chinese characters from below her natural waist up her spine to about the middle of her back. These three work marvelously well together, India continuing to suck him hard while Xtacee rides the mechanical tongue through a host of shuddering orgasms until she screams ‘That’s it, that’s a wrap! Let India have a turn!’, after which, we get to see India flexing her amazingly defined abs and clawing at the leather couch with mouth half-open and eyes rolled back in her head in the silent scream of bliss. Another shift of the players and Santino is in Xtacee; he continues to cover India with kisses. Then it’s India’s turn to be invaded from the south, finishing an already blistering scene with a blazing anal pentration, for which she is rewarded with a tidal wave of Santino’s glee.
This is one that is full of all your favorite reasons for watching Afrocentric films. Passion and Xtacee, all yours at the click of the VOD button to your right. BlackCravings
 Email this review to a friend
|
